Discografia, Discography, Heavy Metal, Kreator, Thrash Metal, Download, Descarga, mp3, rar, Mega. Feb 03, 2019  Pretty sure they didn't change to Kreator after the departure of Paul Terozza, but it was right after signing with Noise, after Phil Lawvere told Karl-Ulrich Walterbach that names starting with C, but writing them with K instead, were very popular in America at the time.

Lagu bila diri disayangi download mp3. Arguably the most influential and successful European thrash metal band ever, Germany’s Kreator are also by far the most enduring. Like many of their European speed metal brethren, Kreator fused Metallica’s thrash innovations with Venom’s proto-black metal imagery, sparked it with Motörhead’s balls-out velocity, and capped it off with the nihilistic outlook typical of heavy metal since the seminal days of Black Sabbath. Kreator’s career also mirrored speed metal’s rising and waning fortunes: building from strength to strength throughout the 1980s, only to fall on hard times in the 1990s. Now seemingly reborn in their third decade of activity, Kreator are certified worldwide superstars who still tour as widely and frequently as bands half their age.

FLAC/ LOSSLESS

1985 Endless Pain
1986 Pleasure to Kill (Remaster)
1987 Terrible Certainty (2000 Reissue)
1989 Extreme Aggression
1990 Coma of Souls
1992 Renewal
1995 Cause for Conflict
1997 Outcast
1999 Endorama
2001 Violent Revolution
2005 Enemy of God
2009 Hordes of Chaos
2012 Phantom Antichrist
2017 Gods of Violence (Japan)

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Review by Felix on January 13, 2020.

During the last years, Mr. Petrozza has begun to stylize himself as a politically interested, reasonable guy, socially competent and thoughtful. A brainy man who knows more than the somewhat narrow-minded heavy metal universe, a man who has something to say. Something very important, of course.

Well, that's definitely fine and everybody has the right (or even the duty) to keep a close eye on his personal development. Nevertheless, whenever Mille opens his mouth in order to vitalize our poor brains with a very thoughtful message, I have to think of lines like this one: 'My only aim is to take many lives, the more the better I feel' or that one: 'He eats the heart of your wife and rips her cunt inside'. I know that we have to separate the artist from the person, yet this contrast always irritates me. Frankly, the entire lyrics of Pleasure to Kill are nothing else but a pile of shit (and the artwork is not much better). But here comes the good news: lyrics are absolutely irrelevant as long as we are talking about unleashed thrash metal. Pleasure to Kill contains exactly this music and furthermore, it holds a couple of excellent compositions.

As soon as the deceptive intro fades away, three berserks start immediately to demonstrate their Pleasure to Kill their instruments. Mille is ahead of the pack and spits out the nonsensical lines with a maximum of hate and anger. Ventor, who delivers the lead vocals on three tracks, makes sure that there is a certain variety. His voice sounds less hateful, but more masculine and more controlled. Anyway, both singers convince with a highly aggressive performance. Anything else would have been inappropriate in view of the musical content. Kreator use the heavy artillery. Pleasure to Kill is more vehement than 'Agent Orange', it sounds much more brutal than 'Zombie Attack' and it delivers a rougher form of violence than 'Infernal Overkill'. The songs are characterized by high velocity, stormy riffs and flattening leads. Furthermore, the smell of decay fills the air. Although I am not a fan of the artwork, I must admit that it reflects the atmosphere of this milestone of German thrash metal very well.

Kreator manage the challenge to integrate tiny melodies without hurting the brutality of their songs. 'The Pestilence' holds a short, almost melodic part from 4:45 to 5:33, but even the here presented melody line does not lack of a specific gruesomeness. However, violent sections dominate the album. A small number of sequences borders on chaos. 'Carrion', for example, is kicked off by a noisy solo. Shortly afterwards, hectic guitars are accompanied by equally nervous drums and both create a violent staccato. Nevertheless, the band does not lose control. Instead, the three-piece delivers some jewels of extreme thrash. Both the title track and 'Riot of Violence' score with surprisingly catchy choruses, 'Ripping Corpse' impresses due to its sheer fury and the closer 'Under the Guillotine' leaves a final trace of devastation with regard to its piercing guitar work and the simple yet sustainable chorus. 'The Pestilence' wins the award for the most epic battle. But it goes without saying that I also want to provide you with the titles of the downers of this work. Here they are: ---- . That's not much? Sorry, but there is nothing more to say in this context. Only a real human competence center, Mille for example, would be able to add an intelligent comment.

Rating: 9 out of 10