AbstractABSTRACT Ku Tunggu Jandamu is a film that presents a young woman problems after she divorce with her husband. This film is quite controversial in Indonesia because of exploiting the actress body, but when viewed as critical, there are some interesting issues to be studied, such as many forms of verbal abuse against widows. The purpose of this study was to explain the symbols or values of verbal abuse against widows contained in film Ku Tunggu Jandamu and reveals the dominant ideology. The effort to answer the problems and research objectives is done by using standpoint theory in critical paradigm as main theories. The method of analysis of this study is using semiotic analysis of Roland Barthes. The results of syntagmatic analysis is Ku Tunggu Jandamu contain 114 number of scenes but there are 10 scenes that clearly displays verbal abuse against widows which is shown on scene number 5, 10, 12, 14, 36, 37, 42, 43, 105, and 111. While the results of paradigmatic analysis is showed verbal abuse against widows manifested in various forms, such as humble self-esteem, vulgar remarks, giving name calling with negative connotation, threats, and yelling.

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Implications of verbal abuse is the victim of fear, avoiding the social environment, and stress disorder. Abuser coming from the opposite sex and other women.

The film featured women as visual pleasure and patriarchy as an ideology which dominates the verbal abuse Keywords: semiotic; film; verbal abuse; widow.

Indonesia:Persik Wulandari (Dewi Perssik) menggugat cerai suaminya, Rozak yang ternyata sudah menikah dengan orang lain. Perceraian itu dikabulkan pihak pengadilan dan hal itu membuat semua orang bergembira karena Persik adalah seorang kembang kota yang status lajangnya dinantikan para lelaki. Berduyun-duyun mereka berusaha mengambil hati Persik untuk dikawinkan. Hal itu juga yang dilakukan Rozak yang rela menceraikan istri pertamanya demi Persik, namun Persik menolaknya.

Persik kemudian hidup di apartemennya, tapi dengan suka rela mengusir diri karena para suami di apartemen itu yang terpesona keseksian Persik.Kakak Persik yang juga menjanda, Cherry, belakangan ini berhubungan dengan seorang mahasiswa bernama Aldo yang tinggal disebelah rumahnya, tetapi hubungan ini berakhir. Aldo beribu Rahma, seorang wanita yang bekerja tanpa bantuan suaminya yang pengangguran. Mereka menyambung hidup dengan menyewakan rumah kos yang ada diseberang rumah mereka. Para penghuni kos itu adalah Aldi, Sinyo, dan Iwan. Mereka suka menggunakan sifat Rahma yang sok untuk menghindar dari tunggakan kos mereka.Nama komplek itu, 69 Residence, didatangi Persik yang tidak lagi mempunyai tempat tinggal.

Tentu saja ia akan menginap di rumah Cherry. Dan saat Persik datang, suasana di komplek itu menjadi ‘panas’ karena tingkah laku Persik yang menonjolkan sensualitas.

Rahma yang merupakan istri ketua perumahan, harus ke Bandung dan sepertinya akan menargetkan Persik sebagai calon terusir. Cherry sendiri sudah memperingatkan agar Persik tidak bersikap seronok. Tapi Persik yang polos menuruti saja. Yono, sang satpam pada malamnya ternyata suka mencuri pakaian dalam para wanita kompleks. Hal itu ketahuan oleh Rozak.Pak Tono yang tinggal diseberang rumah Cherry jadi tidak pernah menyentuh istrinya, Jeng Mimi selama tiga bulan kendati Jeng Mimi sudah memompa dadanya agar membesar. Jeng Mimipun minta bantuan Persik untuk “menseksikan” dirinya.

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Jeng Yum, buruh cuci seksi idaman Yono juga ikut-ikutan. Akhirnya setelah malam itu, Pak Tono kembali bergairah lagi kepada Mimi.

Tampan, adik Aldo yang bermasalah dengan seorang cewek di sekolahnya, berhasil dibantu oleh Persik yang menyamar sebagai siswi sekolah agar seisi sekolah pada iri.Pada ulangtahun Cherry, Persik berhasil menyatukan kembali Aldo dan Cherry. Hal itu dilaporkan Yono yang diancam Rozak kepada Rahma. Rahma datang dan membubarkan semuanya. Tetapi pada akhirnya, suami Rahma berhasil bertindak tegas dan meluruskan semuanya. Jeng Yum juga memberitahu tentang intimidasi Rozak terhadap Yono.

Yonopun dihajar habis-habisan oleh Aldo, tapi Cherry mendatangi Aldo dan berkata bahwa Persik kabur dari rumah. Aldo, Cherry, Aldi, Iwan, dan Sinyo pergi untuk mencari Persik. Sementara itu Persik yang berada ditengah jalan dihadang oleh Rozak.

Setelah Persik berhasil menghajar Rozak, rombongan Aldo datang, ketiga anak kos mendekati Rozak dan juga menghajar Rozak. Kemudian mobil menghampiri Persik, dan Cherry meyakinkan Persik untuk tetap tinggal dirumahnya.Film berakhir dengan penghargaan pribadi dimana Persik menjadi salah satu kontestan yang menceritakan perjuangannya menjadi janda.

Para juri setelah mendengar kisahnya, menganugerahkan Persik sebagai Janda of The Year. Salah seorang juri menanyakan keinginan Persik untuk menikah lagi, tetapi Persik mempersilahkan barang siapa yang bisa menaklukan hatinya, bisa mendapatkan dirinya. English: Persik Wulandari (Dewi Persik) sued her husband for divorce, Rozak who was already married to someone else. Divorce is granted the court and it makes everyone happy because Peach is a developing city that awaited the men bachelor status. Flock they tried to ingratiate Peaches for breeding.

It also conducted Rozak is willing to divorce his first wife for Peach, but Peach refused. Peach then living in his apartment, but volunteered to drive themselves because the husband in the apartment was fascinated Peach sexiness.Peaches are also widowed sister, Cherry, recently associated with a student named Aldo who lived next to his house, but the relationship is over. Aldo thousands Rahma, a woman who worked without the help of her husband's unemployment. They make a living by renting out the existing boarding house opposite their house. The inhabitants of the boarding houses were Aldi, Sinyo, and Iwan. They like to use a quasi-Rahma nature to shy away from boarding their arrears.The name of the complex, 69 Residence, visited Peaches are no longer homeless.

Of course he will stay at home Cherry. And when Peaches came, the atmosphere in the complex it becomes 'hot' because of behavior that accentuated Peach sensuality. Rahma is the wife of head of housing, need to Bandung and is likely to target the peach as a candidate driven. Cherry himself was warned not to be sexy peach. But Peaches is just plain obey.

Yono, the guard on the night turned out to steal women's underwear complex. It was discovered by Rozak.Tono Mr. Cherry who lived opposite the house so it never touched his wife, Mimi Jeng Jeng for three months though Mimi was pumping his chest to swell. Jeng Mimipun Persik asking for help to 'menseksikan' himself.

Yum Jeng, laundry workers sexy dream Yono also went along. Finally after that night, Mr.

Tono back excited again to Mimi. Amc-r 385-100 safety manual programs free. Handsome, younger brother Aldo is a problem with a girl in school, successfully aided by the Peach posing as a schoolgirl to the envy of the whole school.On the anniversary Cherry, Peach managed to reunite Aldo and Cherry.

It was reported that Yono Rozak threatened to Rahma. Rahma come and disperse them all. But in the end, the husband of Rahma had to act decisively and straighten everything. Jeng Yum also informed about the intimidation against Yono Rozak.

Yonopun beaten out by Aldo, but Cherry went to Aldo and says that Peaches ran away from home. Aldo, Cherry, Aldi, Iwan, and Sinyo went to look for Peaches. Meanwhile Peaches in center of the road was blocked by Rozak.

After successfully beat Peach Rozak, Aldo entourage arrived, the three children boarding and also beat the approaching Rozak Rozak. Then the car over to Peach, Peach and Cherry convinced to stay home.The film ends with a personal award where Peaches became one of the contestants who told his struggle became a widow. The jury, after hearing his story, confers Peach as Widow of the Year. One of the jury asked Peaches desire to marry again, but Peach can invite whoever conquered his heart, can get him.Download Movie Ku Tunggu Jandamu (2008).